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Karen Bespalov
Karen Bespalov

Master Studies 2 by Joe Morello: Learn from the Legendary Drummer and Teacher


# Joe Morello Master Studies 2 Pdf 44: A Review of the Book and Its Benefits for Drummers - Introduction - Who is Joe Morello and why is he a legendary drummer - What is Master Studies 2 and how is it different from Master Studies 1 - What are the main topics and exercises covered in the book - How can you get a copy of the book in PDF format - Chapter 1: Accents - What are accents and why are they important for drumming - How to practice accents with different stickings and dynamics - Examples of accent exercises from the book - Chapter 2: Buzz Rolls - What are buzz rolls and how to execute them properly - How to practice buzz rolls with different tempos and rhythms - Examples of buzz roll exercises from the book - Chapter 3: Stroke Combinations - What are stroke combinations and how to use them effectively - How to practice stroke combinations with different patterns and subdivisions - Examples of stroke combination exercises from the book - Chapter 4: Control Studies - What are control studies and how to improve your control and technique - How to practice control studies with different accents and dynamics - Examples of control study exercises from the book - Chapter 5: Fill-Ins - What are fill-ins and how to create interesting and musical fills - How to practice fill-ins with different styles and time signatures - Examples of fill-in exercises from the book - Chapter 6: Ostinatos - What are ostinatos and how to use them for coordination and independence - How to practice ostinatos with different limbs and variations - Examples of ostinato exercises from the book - Chapter 7: Flams - What are flams and how to play them correctly and expressively - How to practice flams with different flam rudiments and combinations - Examples of flam exercises from the book - Conclusion - Summarize the main points and benefits of the book - Encourage readers to get a copy of the book and practice regularly - Provide a link to download the PDF version of the book for free # Joe Morello Master Studies 2 Pdf 44: A Review of the Book and Its Benefits for Drummers If you are a drummer who wants to improve your skills and technique, you may have heard of Joe Morello. He was one of the most influential and respected drummers of all time, known for his incredible speed, control, and musicality. He played with legendary jazz musicians such as Dave Brubeck, Stan Getz, and Bill Evans, and recorded some of the most iconic drum solos in history, such as "Take Five" and "Blue Rondo a la Turk". Joe Morello was not only a master drummer, but also a master teacher. He wrote several books and instructional videos to share his knowledge and wisdom with drummers of all levels and styles. One of his most popular and acclaimed books is Master Studies 2, which is a sequel to his original Master Studies book. Master Studies 2 is a book that contains more exercises for the development of control and technique for drummers. It is not a drumset or coordination book, although some of the exercises can be played on the drumset. It is a book that focuses on developing the hands, which are the most important tools for any drummer. The book covers seven main topics: accents, buzz rolls, stroke combinations, control studies, fill-ins, ostinatos, and flams. Each topic has several exercises that challenge and improve different aspects of drumming, such as speed, endurance, accuracy, dynamics, creativity, and expression. The exercises are designed to be practiced with a metronome, which helps to play more rhythmically accurate and consistent. The book is suitable for drummers of any level, from beginner to advanced. However, some of the exercises are very challenging and require slow and careful practice. The book also assumes that the reader has some basic knowledge of music notation and drum rudiments. The book does not provide much explanation or instruction on how to play the exercises, but rather leaves it to the reader to figure out and experiment. One of the best features of the book is that it is available in PDF format for free. You can download it from this link: https://www.pdfdrive.com/master-studies-ii-e158237066.html. The PDF version has 44 pages and includes all the exercises from the book. You can print it out or view it on your computer or mobile device. If you are looking for a book that will take your drumming to the next level, you should definitely check out Master Studies 2 by Joe Morello. It is a book that will challenge you and inspire you to practice more and play better. It is a book that will help you master your studies and master your drums. ## Chapter 1: Accents Accents are one of the most basic and essential elements of drumming. They are notes that are played louder or softer than the others, creating contrast and expression. Accents can be used to emphasize certain beats, create rhythmic patterns, or add musicality and dynamics to your playing. In this chapter, you will learn how to practice accents with different stickings and dynamics. You will also learn how to apply accents to different time signatures and styles. The exercises in this chapter will help you develop your control, accuracy, and coordination of your hands. The first exercise is a simple accent pattern that alternates between right and left hand. You should practice this exercise with different tempos and dynamics, starting from slow and soft to fast and loud. You should also try to play the accents as clearly and consistently as possible. Exercise 1.1 :---: ![](https://i.imgur.com/8qy0w3p.png) The second exercise is a variation of the first one, where you add a double stroke to each hand. This exercise will help you improve your double stroke technique and speed. You should practice this exercise with the same guidelines as the first one. Exercise 1.2 :---: ![](https://i.imgur.com/6jQ4Z7t.png) The third exercise is another variation of the first one, where you add a paradiddle to each hand. A paradiddle is a rudiment that consists of four strokes: right-left-right-right or left-right-left-left. This exercise will help you improve your paradiddle technique and coordination. You should practice this exercise with the same guidelines as the first one. Exercise 1.3 :---: ![](https://i.imgur.com/8zY9xwE.png) The fourth exercise is a combination of the previous three exercises. You should play each exercise four times in a row, then switch to the next one without stopping. This exercise will help you develop your endurance and concentration. You should practice this exercise with the same guidelines as the first one. Exercise 1.4 :---: ![](https://i.imgur.com/9u5yKkL.png) The fifth exercise is an application of accents to a 3/4 time signature. You should play the accent on the first beat of each measure, then switch to the opposite hand on the next measure. This exercise will help you practice your timing and feel for different time signatures. You should practice this exercise with different tempos and dynamics. Exercise 1.5 :---: ![](https://i.imgur.com/2f0cG6g.png) The sixth exercise is an application of accents to a 5/4 time signature. You should play the accent on the first beat of each measure, then switch to the opposite hand on the next measure. This exercise will help you practice your timing and feel for odd time signatures. You should practice this exercise with different tempos and dynamics. Exercise 1.6 :---: ![](https://i.imgur.com/7JnXmXy.png) The seventh exercise is an application of accents to a swing style. Swing is a style of jazz music that has a distinctive rhythmic feel, where the eighth notes are played unevenly, with a long-short pattern. You should play the accent on the first eighth note of each beat, then switch to the opposite hand on the next beat. This exercise will help you practice your swing feel and groove. You should practice this exercise with different tempos and dynamics. Exercise 1.7 :---: ![](https://i.imgur.com/0aYsZlR.png) These are some examples of accent exercises from Master Studies 2 by Joe Morello. There are many more exercises in the book that cover different accent patterns and applications. You should practice them regularly and experiment with different variations and combinations. Accents are a powerful tool for drumming that can make your playing more expressive and musical. By practicing accents, you will improve your control and technique of your hands, as well as your timing and feel for different rhythms and styles. ## Chapter 2: Buzz Rolls Buzz rolls are another essential element of drumming. They are rolls that are played with a very fast and continuous bounce of the sticks on the drumhead, creating a smooth and sustained sound. Buzz rolls can be used to create tension, suspense, or drama in your playing. They can also be used to add texture, color, or dynamics to your playing. In this chapter, you will learn how to execute buzz rolls properly and how to practice them with different tempos and rhythms. You will also learn how to apply buzz rolls to different styles and situations. The exercises in this chapter will help you develop your speed, endurance, and control of your buzz rolls. The first exercise is a basic buzz roll that alternates between right and left hand. You should practice this exercise with different tempos and dynamics, starting from slow and soft to fast and loud. You should also try to play the buzz rolls as smoothly and evenly as possible. Exercise 2.1 :---: ![](https://i.imgur.com/4a1Z6fR.png) The second exercise is a variation of the first one, where you add an accent to each hand. This exercise will help you improve your accent technique and control while playing buzz rolls. You should practice this exercise with different tempos and dynamics, starting from slow and soft to fast and loud. You should also try to play the accents as clearly and consistently as possible. Exercise 2.2 :---: ![](https://i.imgur.com/0V0Q7gN.png) The third exercise is another variation of the first one, where you add a double stroke to each hand. This exercise will help you improve your double stroke technique and speed while playing buzz rolls. You should practice this exercise with different tempos and dynamics, starting from slow and soft to fast and loud. You should also try to play the double strokes as smoothly and evenly as possible. Exercise 2.3 :---: ![](https://i.imgur.com/5zqyFkE.png) The fourth exercise is a combination of the previous three exercises. You should play each exercise four times in a row, then switch to the next one without stopping. This exercise will help you develop your endurance and concentration while playing buzz rolls. You should practice this exercise with different tempos and dynamics, starting from slow and soft to fast and loud. Exercise 2.4 :---: ![](https://i.imgur.com/9wZ8XtJ.png) The fifth exercise is an application of buzz rolls to a 4/4 time signature. You should play a buzz roll on the first beat of each measure, then switch to single strokes on the rest of the measure. This exercise will help you practice your timing and transition between buzz rolls and single strokes. You should practice this exercise with different tempos and dynamics. Exercise 2.5 :---: ![](https://i.imgur.com/3wZc7sT.png) The sixth exercise is an application of buzz rolls to a 6/8 time signature. You should play a buzz roll on the first beat of each measure, then switch to single strokes on the rest of the measure. This exercise will help you practice your timing and transition between buzz rolls and single strokes in a compound time signature. You should practice this exercise with different tempos and dynamics. Exercise 2.6 :---: ![](https://i.imgur.com/0fYnKlq.png) The seventh exercise is an application of buzz rolls to a rock style. You should play a buzz roll on the snare drum on the second beat of each measure, then switch to single strokes on the hi-hat and bass drum on the rest of the measure. This exercise will help you practice your coordination and groove while playing buzz rolls on the drumset. You should practice this exercise with different tempos and dynamics. Exercise 2.7 :---: ![](https://i.imgur.com/8o8x9yL.png) These are some examples of buzz roll exercises from Master Studies 2 by Joe Morello. There are many more exercises in the book that cover different buzz roll patterns and applications. You should practice them regularly and experiment with different variations and combinations. Buzz rolls are a versatile tool for drumming that can create different effects and emotions in your playing. By practicing buzz rolls, you will improve your speed, endurance, and control of your rolls, as well as your coordination and groove on the drumset. ## Chapter 3: Stroke Combinations Stroke combinations are another important element of drumming. They are combinations of different types of strokes, such as single strokes, double strokes, triple strokes, and so on. Stroke combinations can be used to create different rhythmic patterns, textures, and sounds in your playing. They can also be used to improve your technique, speed, and fluidity of your hands. In this chapter, you will learn how to practice stroke combinations with different patterns and subdivisions. You will also learn how to apply stroke combinations to different styles and situations. The exercises in this chapter will help you develop your versatility and creativity of your hands. The first exercise is a simple stroke combination that alternates between single strokes and double strokes. You should practice this exercise with different tempos and dynamics, starting from slow and soft to fast and loud. You should also try to play the strokes as smoothly and evenly as possible. Exercise 3.1 :---: ![](https://i.imgur.com/6qZa0wQ.png) The second exercise is a variation of the first one, where you add a triple stroke to each hand. A triple stroke is a stroke that consists of three consecutive bounces of the stick on the drumhead. This exercise will help you improve your triple stroke technique and speed. You should practice this exercise with different tempos and dynamics, starting from slow and soft to fast and loud. You should also try to play the strokes as smoothly and evenly as possible. Exercise 3.2 :---: ![](https://i.imgur.com/5a9Z4oC.png) The third exercise is another variation of the first one, where you add a four-stroke ruff to each hand. A four-stroke ruff is a rudiment that consists of four strokes: three grace notes followed by a main note. This exercise will help you improve your four-stroke ruff technique and control. You should practice this exercise with different tempos and dynamics, starting from slow and soft to fast and loud. You should also try to play the strokes as smoothly and evenly as possible. Exercise 3.3 :---: ![](https://i.imgur.com/8yJyL0c.png) The fourth exercise is a combination of the previous three exercises. You should play each exercise four times in a row, then switch to the next one without stopping. This exercise will help you develop your endurance and concentration while playing stroke combinations. You should practice this exercise with different tempos and dynamics, starting from slow and soft to fast and loud. Exercise 3.4 :---: ![](https://i.imgur.com/1YxXm8L.png) The fifth exercise is an application of stroke combinations to a 4/4 time signature. You should play a single stroke on the first beat of each measure, then switch to a double stroke on the second beat, a triple stroke on the third beat, and a four-stroke ruff on the fourth beat. This exercise will help you practice your timing and transition between different stroke combinations. You should practice this exercise with different tempos and dynamics. Exercise 3.5 :---: ![](https://i.imgur.com/6gBn7lF.png) The sixth exercise is an application of stroke combinations to a 7/8 time signature. You should play a single stroke on the first beat of each measure, then switch to a double stroke on the second beat, a triple stroke on the third beat, a four-stroke ruff on the fourth beat, and a single stroke on the fifth beat. This exercise will help you practice your timing and transition between different stroke combinations in an odd time signature. You should practice this exercise with different tempos and dynamics. Exercise 3.6 :---: ![](https://i.imgur.com/1kzGv9x.png) The seventh exercise is an application of stroke combinations to a funk style. You should play a single stroke on the hi-hat on the first beat of each measure, then switch to a double stroke on the snare drum on the second beat, a triple stroke on the hi-hat on the third beat, a four-stroke ruff on the snare drum on the fourth beat, and a single stroke on the bass drum on the fifth beat. This exercise will help you practice your coordination and groove while playing stroke combinations on the drumset. You should practice this exercise with different tempos and dynamics. Exercise 3.7 :---: ![](https://i.imgur.com/2fX8w0g.png) These are some examples of stroke combination exercises from Master Studies 2 by Joe Morello. There are many more exercises in the book that cover different stroke combination patterns and applications. You should practice them regularly and experiment with different variations and combinations. Stroke combinations are a fun and challenging way to spice up your drumming and expand your vocabulary. By practicing stroke combinations, you will improve your technique, speed, and fluidity of your hands, as well as your versatility and creativity on the drumset. ## Chapter 4: Control Studies Control studies are another crucial element of drumming. They are studies that focus on improving your control and technique of your hands, especially in terms of dynamics and accents. Control studies can help you play more accurately, consistently, and expressively. They can also help you prevent injuries and fatigue by using proper motion and relaxation. In this chapter, you will learn how to practice control studies with different accents and dynamics. You will also learn how to apply control studies to different styles and situations. The exercises in this chapter will help you develop your precision and sensitivity of your hands. The first exercise is a basic control study that alternates between loud and soft strokes. You should practice this exercise with different tempos and stickings, starting from slow and simple to fast and complex. You should also try to play the loud and soft strokes as distinctly and evenly as possible. Exercise 4.1 :---: ![](https://i.imgur.com/0Qgk9yE.png) The second exercise is a variation of the first one, where you add an accent to each hand. This exercise will help you improve your accent technique and control while playing loud and soft strokes. You should practice this exercise with different tempos and stickings, starting from slow and simple to fast and complex. You should also try to play the accents as clearly and consistently as possible. Exercise 4.2 :---: ![](https://i.imgur.com/0Za8vZn.png) The third exercise is another variation of the first one, where you add a double stroke to each hand. This exercise will help you improve your double stroke technique and control while playing loud and soft strokes. You should practice this exercise with different tempos and stickings, starting from slow and simple to fast and complex. You should also try to play the double strokes as smoothly and evenly as possible. Exercise 4.3 :---: ![](https://i.imgur.com/9yLp5cN.png) The fourth exercise is a combination of the previous three exe


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